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    InicioEjerciciosCut Ornament Drill
    Volver a todos los ejercicios
    Principiante
    Ornamentación
    10 minutos

    Cut Ornament Drill

    Este ejercicio aún no está traducido del todo — las instrucciones siguientes están en inglés.

    The cut is the first ornament every Irish whistle player learns. It adds a crisp, percussive 'crack' to a note without changing its duration or pitch. Cuts appear on almost every beat of a fast reel and are the primary way to add lift and energy to your playing. The technique seems simple but requires precision: too slow and you play two notes; too fast and the ornament disappears entirely.

    Notación de tablatura

    Usa esta notación como referencia mientras practicas. Cada fila es una frase; los puntos representan los agujeros tapados.

    practice cuts on these notes (the cut is a quick finger flick above the note)

    e
    e
    e
    e
    f#
    f#
    f#
    f#
    g
    g
    g
    g
    a
    a
    a
    a
    b
    b
    b
    b

    Instrucciones paso a paso

    1. 1

      Play a long, sustained E (holes 1–5 covered, bottom hole open). While holding the note, briefly lift the F# finger (hole 4 from the top) and immediately replace it. You should hear a short 'click' or 'plah' sound — that is a cut.

    2. 2

      Repeat on E, aiming for the cut to happen as quickly as possible. The duration of the E should not shorten — the cut lives inside the note.

    3. 3

      Move to F# — use the G finger above it (hole 3 from top) to cut. Then G — use A finger. Then A — use B finger.

    4. 4

      Practice cutting every note in sequence: E, F#, G, A, B. (D and C# are cut differently and come later.)

    5. 5

      Now apply cuts to repeated notes: play E-E-E-E with a cut on each one instead of using the tongue. This is how cuts replace tonguing in fast reels.

    Consejos de práctica

    • Minimize how far you lift the cutting finger — 1–2 mm is enough. A big lift slows you down and introduces an audible second note.
    • A cut should sound like the start of the word 'plah' — a brief consonant before the vowel.
    • The ring finger (G finger) cutting on notes D through G is the most common choice among traditional players.
    • Cuts are tempo-independent — they should sound the same at 60 bpm as at 180 bpm.

    Errores comunes

    • !Moving the finger too slowly — this turns a cut into a grace note or a separate note.
    • !Cutting with the same finger playing the note. Always use a finger above the note being played.

    ¿Listo para aplicarlo en una melodía de verdad?

    La técnica solo se asienta cuando la usas en la música. Explora la biblioteca de tablaturas y encuentra una melodía con la que practicar lo que acabas de aprender.

    Ejercicios relacionados

    Principiante10 min

    Tap Ornament Drill

    Master the tap (also called a strike) — the downward counterpart to the cut used in Irish rolls and ornamental passages.

    Intermedio15 min

    Long Roll Drill

    Combine a cut and a tap to produce the long roll — the most characteristic ornament in Irish traditional music.

    Intermedio10 min

    Scale Turns

    Change direction mid-scale to build finger dexterity and the agility needed for ornamented tunes.