Cut Ornament Drill
Diese Übung wurde noch nicht vollständig übersetzt — die Anleitung unten ist auf Englisch.
The cut is the first ornament every Irish whistle player learns. It adds a crisp, percussive 'crack' to a note without changing its duration or pitch. Cuts appear on almost every beat of a fast reel and are the primary way to add lift and energy to your playing. The technique seems simple but requires precision: too slow and you play two notes; too fast and the ornament disappears entirely.
Tab-Notation
Nutze diese Notation als Referenz beim Üben. Jede Zeile ist eine Phrase; Punkte stehen für gedeckte Löcher.
practice cuts on these notes (the cut is a quick finger flick above the note)
Schritt-für-Schritt-Anleitung
- 1
Play a long, sustained E (holes 1–5 covered, bottom hole open). While holding the note, briefly lift the F# finger (hole 4 from the top) and immediately replace it. You should hear a short 'click' or 'plah' sound — that is a cut.
- 2
Repeat on E, aiming for the cut to happen as quickly as possible. The duration of the E should not shorten — the cut lives inside the note.
- 3
Move to F# — use the G finger above it (hole 3 from top) to cut. Then G — use A finger. Then A — use B finger.
- 4
Practice cutting every note in sequence: E, F#, G, A, B. (D and C# are cut differently and come later.)
- 5
Now apply cuts to repeated notes: play E-E-E-E with a cut on each one instead of using the tongue. This is how cuts replace tonguing in fast reels.
Übungstipps
- Minimize how far you lift the cutting finger — 1–2 mm is enough. A big lift slows you down and introduces an audible second note.
- A cut should sound like the start of the word 'plah' — a brief consonant before the vowel.
- The ring finger (G finger) cutting on notes D through G is the most common choice among traditional players.
- Cuts are tempo-independent — they should sound the same at 60 bpm as at 180 bpm.
Häufige Fehler
- !Moving the finger too slowly — this turns a cut into a grace note or a separate note.
- !Cutting with the same finger playing the note. Always use a finger above the note being played.
Bereit, das in einer echten Melodie anzuwenden?
Technik bleibt nur hängen, wenn du sie in Musik einsetzt. Durchstöbere die Tab-Bibliothek nach einer Melodie, mit der du das Gelernte üben kannst.