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HomeExercisesCut Ornament Drill
Back to all exercises
Beginner
Ornamentation
10 minutes

Cut Ornament Drill

The cut is the first ornament every Irish whistle player learns. It adds a crisp, percussive 'crack' to a note without changing its duration or pitch. Cuts appear on almost every beat of a fast reel and are the primary way to add lift and energy to your playing. The technique seems simple but requires precision: too slow and you play two notes; too fast and the ornament disappears entirely.

Tab Notation

Use this notation as a reference while practising. Each row is a phrase; dots represent covered holes.

practice cuts on these notes (the cut is a quick finger flick above the note)

e
e
e
e
f#
f#
f#
f#
g
g
g
g
a
a
a
a
b
b
b
b

Step-by-Step Instructions

  1. 1

    Play a long, sustained E (holes 1–5 covered, bottom hole open). While holding the note, briefly lift the F# finger (hole 4 from the top) and immediately replace it. You should hear a short 'click' or 'plah' sound — that is a cut.

  2. 2

    Repeat on E, aiming for the cut to happen as quickly as possible. The duration of the E should not shorten — the cut lives inside the note.

  3. 3

    Move to F# — use the G finger above it (hole 3 from top) to cut. Then G — use A finger. Then A — use B finger.

  4. 4

    Practice cutting every note in sequence: E, F#, G, A, B. (D and C# are cut differently and come later.)

  5. 5

    Now apply cuts to repeated notes: play E-E-E-E with a cut on each one instead of using the tongue. This is how cuts replace tonguing in fast reels.

Practice Tips

  • Minimize how far you lift the cutting finger — 1–2 mm is enough. A big lift slows you down and introduces an audible second note.
  • A cut should sound like the start of the word 'plah' — a brief consonant before the vowel.
  • The ring finger (G finger) cutting on notes D through G is the most common choice among traditional players.
  • Cuts are tempo-independent — they should sound the same at 60 bpm as at 180 bpm.

Common Mistakes

  • !Moving the finger too slowly — this turns a cut into a grace note or a separate note.
  • !Cutting with the same finger playing the note. Always use a finger above the note being played.

Ready to Apply This in a Real Tune?

Technique only sticks when you use it in music. Browse the tab library to find a tune that lets you practise what you have just learned.

Related Exercises

Beginner10 min

Tap Ornament Drill

Master the tap (also called a strike) — the downward counterpart to the cut used in Irish rolls and ornamental passages.

Intermediate15 min

Long Roll Drill

Combine a cut and a tap to produce the long roll — the most characteristic ornament in Irish traditional music.

Intermediate10 min

Scale Turns

Change direction mid-scale to build finger dexterity and the agility needed for ornamented tunes.